The Goddess & Alchemy
I am part of a group show in Austin, Texas at Music Hill Ranch, opening Friday, Feb. 24 with a new experimental body of work. This is the first of many explorations on themes of the Goddess and historical photographic processes.
R-Evolution The Triumph of Alchemy & the Sovereign Goddess
6'x3' Triptych of cyanotypes on paper.
10,000 years ago was the golden age of the Great Goddess. Women were venerated as creators of life. During this time, communication, art, beauty, tolerance, balance, peace, creativity, prevailed with a caring respect for nature. Conflict was minimal and war almost non-existent. The shift to patriarchal rule upset the balance between men and women, initiating the decline of basic human values. Gods rose above the Goddess, hiding her in shadow.
Alchemy is an ancient mysterious doctrine. Transformation is the goal of all alchemical exploration, but the "Great Work” of creating a Philosopher's Stone was the prize. The perfection of this essence was termed “the absolute.” Turning lead into gold was considered real and symbolic. However, enlightenment was most desired. It was perceived and realized as the Beauty of all Beauty, Love of all Love, and the High most High. True alchemy was misunderstood and so during the fourteenth century this science fell into grave disrepute, and many good practitioners suffered prison and death.
The Great Goddess and the Great Work as forces of nature and spirit live on, revealed in the power of personal transformation. As I learned more about these sacred concepts, I envisioned the Goddess of Sovereignty returning to the consciousness of the world… reviving the Divine Feminine and the Anima Mundi – the World’s Soul. To embolden the R-Evolution of Humanity.
My experiments with cyanotypes and early historical photography processes reflect a type of alchemy in the elements of earth, fire, water and air. The symbolic elements of EARTH are found in the film, paper, and emulsion, FIRE is the sun’s rays exposing and transforming the chemicals into light and shadow, WATER develops and transfigures the image, AIR finishes the process of manifestation. This technique includes painting with the emulsion, destroying and rebuilding the image and repeating the process. Each piece is an evolution. Resurrecting concepts of the Goddess and Alchemy in this manner, allows me to reflect upon aspects of my own personal evolution within the realms of nature and spirit.
This event is a ticketed event with exotic food, bar, live music!
Comments
Suzi Clark said:
This work is both poignant and evocative of a more balanced adoration system of gendered deities. Recently I visited the oldest Koranic library in the Sahara at Tamegroute. I asked if women had contributed to the herbal medicinal texts and was met with blank looks. All scholars are male. The school is closed to women. How much longer is the contribution of women to be ignored ? Thank you for supporting a better understanding of the Divine Feminine through your art.